#maeda yumiko

[ladyyomiart]

I thought of making more portraits of my OCs in the same art style I used in my "OCs VS Artist" meme to include them on their profiles at my Toyhouse account. 📸✨ This is Maeda Yumiko; a very stern retired geiko who officiates as the "Mother" of the Okiya where Kohana works. (Old Yumiko has a temper so bad it rivals Hijikata's, lmao! 😂 But—unlike Ba Makoto—she really cares about the Okiya's girls).

[demifiendrsa]

Pretty Guardian Sailor Moon Cosmos the Movie - PV1

Japanese theatrical dates:

Part 1 - June 9, 2023

Part 2 - June 30, 2023

The two-part film serves as a “fifth season” for Sailor Moon Crystal and a direct continuation of Sailor Moon Eternal that will cover the “Stars” arc, the final arc of Naoko Takeuchi’s original manga.

Poster

Cast additions

Megumi Hayashibara as Sailor Galaxia

Nana Mizuki as Princess Kakyū

Kotono Mitsuishi as Chibi Chibi

Previously announced cast members

Kotono Mitsuishi as Usagi Tsukino / Sailor Moon

Hisako Kanemoto as Ami Mizuno / Sailor Mercury

Rina Satou as Rei Hino / Sailor Mars

Ami Koshimizu as Makoto Kino / Sailor Jupiter

Shizuka Itō as Minako Aino / Sailor Venus

Misato Fukuen as Chibi-Usa / Sailor Chibi Moon

Ai Maeda as Setsuna Meiou / Sailor Pluto

Sayaka Ōhara as Michiru Kaiou / Sailor Neptune

Junko Minagawa as Haruka Tenou / Sailor Uranus

Yukiyo Fujii as Hotaru Tomoe / Sailor Saturn

Marina Inoue as Seiya Kō/Sailor Star Fighter

Saori Hayami as Taiki Kō/Sailor Star Maker

Ayane Sakura as Yaten Kō/Sailor Star Healer

Staff

Director: Tomoya Takahashi

Script: Kazuyuki Fudeyasu

Character Design: Kazuko Tadano

Music: Yasuharu Takanashi

Art Director: Yumiko Soraga

Animation Production: Toei Animation, Studio Deen

[444lpblue]

Ancient Magus Bride S2 #2 Screenplay: Youko Yonaiyama Storyboard: Tetsuya Endo Episode Director: Tetsuya Endo Animation Director: Hiroyuki Terao, Yoshihiro Maeda, Yumiko Nakamura

It was a fun episode and it was very interesting to see the show function with a more extensive cast. I can't wait to learn more about them. The world and magic of Ancient Magus Bride continue to be extremely fascinating. The anime truly has not skipped a beat from season 1, and it has been great to see the wonders in the magic, the threat in the creatures, and the mystique of our cast. The preview for the next episode also seems to have returning faces…

[shoumandee]

woah mandi drew something for once?

what a rare occurrence

take this little thing for my fav trio aka the rooftop squad 2.0

these r basically their eyewear, quirks, and signature weapons

[bnha-oneuniverseau]

Rooftop Squad 2.0 shenanigans

~Pre USJ Incident~

"Did you get it Shimamoto??"

"YEP-"

"Hopefully she doesn't wake up n-"

"GOTTA RUN- SEE YA ASATO-"

"SHIMAMOTO WAI-"

~ The Rooftop Squad 2.0 (Maeda, Yumiko, Shimamoto)

[teen1dol]

[gembroni]

luv these shitty kids....

[shihalyfie]

Between Hiro and Espimon, I kind of jokingly hope that Umi Tenjin and somehow Mona Marshall to do voices in Ghost Game as well. "The Koushirouing never ends~"

Oh, goodness, I am so glad I am not the only one who thought this. (For those unaware, Hiro's voice actress Tamura Mutsumi voiced Koushirou in tri. and Kizuna, while Espimon's voice actress Kobayashi Yumiko voiced Koushirou in Adventure:, and official has even pointed this out.)

In fact, Tenjin seems to have retired from voice acting -- she's had no new roles in over a decade, and she currently has no agency affiliation, which usually is a sign of withdrawal from the industry. (The voice acting industry is rather extremely make-it-or-break-it, and one of the really unfortunate things is that a lot of Digimon voice actors don't end up getting a decent flow of work in the industry, so a rather significant percentage has retired.) But she did return for Adventure PSP (2013) and the 15th anniversary drama CD (2015), and it seems she quietly showed up to a Digimon music event in 2019 with Kazama (Yamato), the probably-industry-retired Araki (Hikari), and the very industry-retired Tada (Terriermon/Lopmon), so she's probably not averse to picking up Koushirou again if it's for something short and not a full TV series. That said, I wonder if she would be willing to do so for a role that's a reference to Koushirou, not necessarily Koushirou himself (not that I think she'd hate the idea, but we are talking about dragging someone out of retirement)...

This is a bit of a digression (and perhaps a bit of a sadder note to divert this post into, I'm sorry about that), but I do wonder about things like this in regards to the extremely awkward circumstances Adventure-related things are currently in right now, something I've been calling a "divorce" situation between the old staff and the new staff due to the fallout of tri. and Kizuna. The most infamous part of it is the fallout between Kakudou and Kizuna production (which was only really the last straw in a passive-aggressiveness war that had been going on since the later parts of tri., this was just the first time it was so obvious in public), but I've seen other production staff members from the original Adventure and 02 also dancing around the topic of tri. and Kizuna/The Beginning on Twitter with differing levels of awkwardness. (I can't say I really blame them; considering how enthusiastically they like to talk about their work on the original series, it really seems to have been like their baby to them, so it's only natural something like this happening with something so personal is likely to give them mixed feelings.)

This awkward situation has been happening to a lesser extent with the voice actors as well -- for one example, Tochika Kouichi (Hawkmon) joined Twitter last year and didn't hesitate to re-establish contact with Natsuki Rio (Miyako's original voice actress), shortly after which the latter's profile suddenly updated from "Miyako" to "Miyako (2000)", as if the incident (and especially Tochika's promotion of Kizuna/The Beginning-related stuff in front of her) had given her increased awareness that she doesn't get to be Miyako anymore. But on the bright side, most of our voice actor testimony indicates that they seem to have also been understanding of the reason why this all happened; Fujita Toshiko gave her blessing to the new tri. voice actors before she passed, Maeda Ai was openly supportive of Yoshida as Mimi, and Urawa certainly took the fact Iori's role was basically taken away from her right in front of her eyes in stride for the most part. And after all, Tenjin being likely industry retired means she probably would have less of a stake in this than the actors who are still active and therefore really did have an important role taken away from them.

Meanwhile, Mona was lucky and got to voice Izzy every time (for those who aren't aware, people who know the American English dub generally agree she's got to be one of the most iconic voices in it), and I actually even wonder if they'll end up keeping her for the upcoming Adventure: dub despite the fact that the Japanese version deliberately changed out the cast (edit: I’ve been informed that apparently they’re definitively changing them out, ah well). If they do dub Ghost Game, she should absolutely voice Hiro. Either way, please bless another generation of kids with her. (In fact, she probably actually sounds closer to Tamura than Tenjin when you think about it.)

[maserati-yokota]

AJW We Are Running Thru Korakuen Hall 5/26/91 Commercial Tape

This one has links! So you know I'm not making this shit up!

Suzuka Minami & Takako Inoue & Cynthia Moreno vs. Bison Kimura & Mika Takahashi & Miori Kamiya part 1: https://www.youtube.com/watch?v=Mb9L6-ybHoc part 2: https://www.youtube.com/watch?v=W7Ok-L8g3Jc Kamiya gets to work tossing Suzuka around before getting piledriven into pudding. Moreno tags in and man it's a shame she was perpetually disrespected by this company. Moreno was a treasure, you rubes. Bison is in full beast mode and she doesn't even have the leopard-print yet! Takako is young and gets stretched a lot. Whatever happened to Kamiya you say? She's Cooga, ya dingus; the dullest part of any late-90s card. Takahashi gets tagged in, puts Takako in an upside down double-underhook STFU WITH A BRIDGE and goes back to her corner so Bison can dropkick some more. The 70s Miles Davis solo of tag-ins. Incredible. Suzuka does a gorgeous vertical suplex to signal to all of us watching that though this is a heatless spotfest, the spots are in season. So dig in. Suzuka's dropkicks are so snappy it's a wonder she didn't get CTE from them. Kamiya must've just been spent by the Cooga era because she busts out tons of fun stuff here. Youth is young on the wasted. Bison, sensing the lack of Classic Tag Match Heat, throws Moreno into the bleachers. Good on her. Takako wants revenge but eats a Bison Chop. This is an interesting era for a spotfest--ie the pre-CTE era--despite it still being built off of the video-gamey idea of "strong attacks wear down more HP". Everybody busts out the weirdest shit they can come up with in the hope something--anything--will do it. But I shouldn't complain much. This is heavy on action, light on pointless near-falls, the screwups are minor, and there are some really fun and odd spots I haven't seen before. And Kaoru Ito is there to moisturize the losers!

Toshiyo Yamada vs. Yumiko Hotta part 1: https://www.youtube.com/watch?v=gfHqj7TdoTY part 2: https://www.youtube.com/watch?v=HtYiI8pb5hQ Q: And kicks?

A: And kicks.

Yamada is as spry and bland as ever and Hotta is still pretending she isn't a violence pervert. But the crowd knows The Truth so Hotta gets 1000000 streamers. Yamada, mad at her comparative lack of streamers, comes out swinging, only to get swung. Hotta brings the UWF realism but Yamada is convinced the puroresu will WIN. One thing they can both agree on is KICKS. The first notable one busts Yamada's nose and we are off to the races--which is to say, we are witnessing the suffering of women who work for men and therefore are never encouraged to have healthily competitive relationships with their peers. Healthy competition comes from camaraderie and a sense of community. Bull Nakano spoke in interviews about how brutalized and casually despised she was by the other wrestlers when she started. The Crush Gals  fucking hate each other irl. Aja Kong was made into a monster heel literally because she was biracial. These things and this match dynamic (hardway blood in basically a TV taping) are all symptoms of the same disorder: misogyny and the market sitting in a tree, K-I-S-S-I-N-G. Yeah, there's a ton of great work and powerful drama in this era, but how much of it was the inadvertent by-product of an unhealthy working environment? We'll never really know, since there was practically no other game in town--and what game there was (LLPW and JWP) was so consumed by the battle for market dominance, they could only mimic this model. AJW begat Rossy Ogawa which begat Arsion’s weirdly disjointed breed of misogyny which begat Stardom. “Send the girls out there and make them murder each other for the love of the fans! And fuck it! They're somehow also responsible for shilling all their merch, too, just to survive! And they’re little a nude sometimes! As a treat!” This match is pretty fun, don't get me wrong. But it's sometimes hard to distinguish a legitimately competitive match from all of what I just described. Did Hotta bust Yamada's nose cuz she was pissed about jobbing and there was no other outlet in the context of the company to properly express that frustration? Was that frustration even really directed at Yamada? Or was this more of a "Yoshiko shoot"-type situation, in which a wrestler makes a public display of frustration? Hotta turns the shoot into a work for good measure by attacking Yamada post-match. 1991 was 4000 years ago.

Aja Kong vs. Manami Toyota part 1: https://www.youtube.com/watch?v=NI746sByB-g part 2: https://www.youtube.com/watch?v=rnKy0Kp5_MU part 3: https://www.youtube.com/watch?v=5gdv67lFa5M Two of the most compelling figures this era produced--both of whom took the weird and bigoted roles they were given and turned them into powerful characters that transcended that small-mindedness. Aja set out to be a fan favorite despite the booking and it fucking worked. Manami didn't want to just be a pretty baby-face; she wanted depth and conflict. She also trained Tsukasa Fujimoto and Tsukushi, who carry on her legacy of being weirdos with pin-straight hair who love punishment. Aja still sells at this point and Manami is such a string-bean it looks like her boots are weighing her down. Apart from that contextual novelty, this is pretty classic Kong/Toyota. Toyota gets tied in more knots than those catalogued in Moby Dick; eats every kick ever and even takes a headbutt to the lower back. But contrary to their later body of work, Toyota's hope spots don't pop the crowd as much since they're not yet sure she's capbable of fighting from underneath. They like it when she fires up, but they don't yet believe in it. In defense of Aja and Toyota, their work is just as compelling as in 93, 94 or 95, the bookers just didn't believe it yet. It would take the hair vs hair match and Aja's teary performance at the end of Big Egg to convince them of what everyone else on earth already knew. It's as thankless to be out-of-step with the times as it is to be ahead of the times. If you haven't seen this and you're familiar with their higher profile matches, you should. It's more than just a curiosity or a template for later and "greater" things; it's a sign they already knew who they were and how prepared they were to transcend management's expectations. Wild finish and a moving post-match moment, too.

Akira Hokuto & Sakie Hasegawa vs. Bull Nakano & Bat Yoshinaga (2/3 Falls Match) part 1: https://www.youtube.com/watch?v=En6sdmXeMAY part 2: https://www.youtube.com/watch?v=HQ2crxtgZhY Hokuto's legacy is equally massive but differently complex. Hokuto was never really given an explicit role other than asshole. An early injury earned her a reputation with fans as a wrestler who refused to lie down--despite the fact that breaking her neck and refusing to abandon the match was probably due more to how toxic the work environment was in AJW. Can't blame her, or really anybody under these circumstances. Christ, they all started training when they were barely teenagers; what other reality did they know? But because she was picked by the fans long before management knew what to do with her, she had a far different arc. In the ring, she worked from underneath, but as an asshole. Imagine if Muta was somehow Cactus Jack: a being who existed outside the bounds of normal human morality but also took such a colossal beating it made you feel bad for them. Only a tremendously charismatic, well-drawn performance could carry that off. Hokuto is so hard-headed in every sense it's impossible not to root for her; she refuses to know her own limits and, subsequently, refuses to acknowledge the limits of any of her opponents. Anyhow, AJW was hoping Bat Yoshinaga would be Lil Bull, even though that never panned out. Sakie is comically timid in the pre-match promo and Hokuto seems doubtful but down to clown as usual. Bull comes out in a feathery gown only to reveal a tattered tie-dyed Grateful Dead shirt to let everyone know she a) likes to party and b) is ready for a call from Vince whenevs. Hokuto is fully on her Maeda shit: aloof yet nervy. She's still in her Marine Wolves colors, too. A woman without a country. Sakie looks literally terrified about what she knows is coming. Ten seconds after the bell, Bull clotheslines them both and powerbombs Sakie for the first fall. THAT'S how Bull do. Hokuto is having none of it and top-rope dropkicks Bat's clavicle into a billion pieces for the second fall. THAT'S how Hokuto do. Now it's Bull vs Hokuto, what the crowd was thirsty for. Hokuto gets thrown over the ropes onto the bare floor but rallies and comes back with a suplex and the same dropkick she gave Bat--proving her contempt for Bull. Double underhook driver for good measure, but Bull gonna Bull. Sakie gets a huge pop on the hot tag despite being the obvious Kikuchi in this setting. Bat kicks and stretches Sakie back into her place. In some ways its hard to tell if Sakie's time in AJW is compelling because she is obviously better than how she was booked or compelling on its own merits--and due to her repeated injuries and transition to trainer we'll never know. But either way, Sakie whips. Hokuto helps her get some good licks in on Bull to drive home that despite her crankiness she believes in this young upstart after all. Sakie capitalizes on this heat by delivering a gorgeous flying headbutt to Bat, following by a pair of god-tier heel-kicks. The crowd is SHRIEKING. Bull senses Bat is gonna whiff it, so bum-rushes Sakie to get Hokuto to tag in. Hokuto is rewarded with a German suplex to the base of her skull and a double-team. A few dozen harrowing exchanges later, Hokuto is back on top and Sakie is ready to die for her. Unfortunately, the moment Bull comes off the top rope with a legdrop, we all know the credits gonna roll. Bull leads the crowd in chanting "Bat-o, Bat-o, Bat-o" and it's a shame that never got legs. Bull feels bad about how things ended, so gives them another chance at a fall. Sakie and Bat slap each other instead of kissing.

Weird but fun card full of all your faves before their prime. Have at it!

Wait . Hang on. Plum Mariko vs Chigusa Nagayo (JWP, 2/11/94) is tacked onto this tape! Fuck YES. Lorefice: the beef been squashed. THANK YOU. (jk jk you're still a bigot)

Watch it here, with glorious pre-match training footage cut from the commercial tape: https://www.youtube.com/watch?v=XQLWwEHP4FQ Plum comes out HOT and bloodies Chigusa early. Never seen Plum this vampiric and fired tf up. Chigusa is having none of it and Hulks out because she's deeply cynical about joshi audiences at this point in her career. She also doesn't mind getting blood in her eyes because, of course, she is still Chigusa Nagayo~! (*DVDVR shout-out interrobang) I've talked a ton already about how much Plum rules and how wistful I get seeing any of her matches. I'm not sure if I'm comfortable saying "the business killed her" so instead I'll say "the business let her die." (The business has let many die but few so blatantly.) Chigusa has yet to enter her dom stage so instead inhabits a kind of quasi-Dynamite Kansai persona appropriate to JWP. She kicks less often but smushes necks just the same. She also is 1000x better on the mat. The announcer mentions, in English (?!) this is a full house at Koruken Hall. Chigusa hits pause to talk shit and Plum is OUTRAGED. Chigusa is also rocking a tan that says "yeah, I took some time off to chill tf out, what of it?" Plum thinks she can restart the match with a respectable test of strength (this is Chigusa, she of fightingo-spiritu, after all) only to get immediately clowned by The New Chigusa. The Post-Crush Gal. Plum says "oh fuck that" and throws on the Stretch Plum and DDTs Chigusa thru the earth's mantle. Chigusa is takes a breather outside then demands Plum give her enough room to get back in the ring, thus going full southern heel. Plum caaaan't quiiiite sink in the Stretch so does a quick German for good measure. Chigusa fights from beneath but gets shut down QUICK. Weird that this legitimately feels like anyone's game, given Chigusa's legendary status. Chigusa sets the record straight by soccer kicking Plum's head into the Mir space station (topical). The crowd now hates her. Plum squishes her back to the mat where she feels safe and torques Chigusa's legs until she looks like Brian Yuzna's seminal critique of capitalism, Society. Despite the contortions, Chigusa chinlocks her way to a victory we all kinda knew was coming.

[officialotakudome]

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New Post has been published on https://otakudome.com/sword-art-online-alicization-war-of-underworld-blu-ray-announced/

Sword Art Online Alicization War of Underworld Blu-Ray Announced

Aniplex of America has dated the second half of Sword Art Online’s third season Sword Art Online Alicization War of Underworld for home release. The series just recently ended it’s run on Adult Swim and will be available for purchase on June 22, 2021. Information about the set can be seen below:

SANTA MONICA, CA (March 23, 2021) – Aniplex of America is delighted to announce the next home video release of the Sword Art Online Alicization series, with the Sword Art Online Alicization War of Underworld Complete Blu-ray Set coming June 22, 2021! The complete Blu-ray set comes with six Blu-ray discs and includes all 23 episodes plus 2 recap episodes in both English and Japanese audio, housed in a stunning box featuring art by abec (Original Illustrator/ Character Design Concept). The set also includes bonus content such as trailers, commercials, textless openings and endings, as well as audio commentary by Japanese cast and staff members, along with a special booklet and an original soundtrack CD by the acclaimed composer, Yuki Kajiura. The Sword Art Online Alicization War of Underworld Complete Blu-ray Set is now available for pre-order at RightStuf Anime (https://www.rightstufanime.com/).

Sword Art Online Alicization War of Underworld is the final chapter of the thrilling Alicization arc, the longest and most glorious battle of the Sword Art Online series. Featuring animation production by A-1 Pictures (Blue Exorcist, The Promised Neverland), the series chronicles the events leading up to the final, epic battle between the Human Empire and the Dark Territory. While Sword Art Online Alicization focuses on Kirito and beloved newcomer Eugeo’s journey through the Underworld to defeat the evil Pontifex, War of Underworld follows Alice, who rediscovers her will to be a knight, as she cares for Kirito, who has lost his soul. Joined by familiar friends from the Sword Art Online series, the fate of Underworld and the future of mankind rest on the still-slumbering Black Swordsman, Kirito.

The War of Underworld arc premiered in October 2019, with the English dub airing on Adult Swim’s Toonami in January 2020. Aniplex of America released the Sword Art Online Alicization Complete Blu-ray Set on April 21, 2020, available now on RightStuf.

All episodes of season 1 and 2 of Sword Art Online Alicization are streaming now on Hulu, Crunchyroll, and Funimation, while Sword Art Online Alicization War of Underworld is streaming on HIDIVE.

For more information, please visit the official website at: sao-alicization.com

Sword Art Online Alicization War of Underworld  Complete Blu-ray Set includes:

  <Disc Specs>

Spoken Languages: English & Japanese

Subtitles: English

Aspect Ratio: 16:9 HD Widescreen 1920x1080p

Episodes: 1-23 + 2 recap episodes

Number of Discs:        6 Blu-ray Discs

Total Run Time: Approx. 610 minutes

Rating: 16 UP

<Bonus Contents>

Trailers and Commercials

Textless Openings and Endings

Audio Commentaries for 1 & 23 by Japanese cast and staff

* Bonus content subject to change. * Bonus content includes English subtitles.

  < Bonus Materials & Package>

Box art by abec (Character Design Concept)

Special booklet

Original Soundtrack CD by Yuki Kajiura

* Bonus materials subject to change.

  Product number and UPC bar code:

Title Street Date SKU # UPC SRP Store Price Sword Art Online Alicization War of Underworld Complete Blu-ray Set

6/22/2021 AOA-13002 816546024604 $299.98 $229.98

  Retailer Link: https://www.rightstufanime.com/Sword-Art-Online-Alicization-War-of-Underworld-Box-Set-Blu-ray

  About Sword Art Online Alicization War of Underworld:

“And so the grand finale of the Alicization arc begins…”

The final load test… The war between the Human Empire and the Dark Territory has engulfed Underworld entirely. The battle has shifted course with the Dark Territory army led by Gabriel, who seeks to capture Alice, the Priestess of Light, in their fight against Asuna and the Human Empire forces fighting to save Underworld.

As Kirito’s consciousness remains buried in a deep sleep, Gabriel, standing in as the Dark God Vecta, has recruited thousands of American players to log in to the Underworld to annihilate the Human Empire forces.

In this great war, the stakes are not only the Underworld’s continued existence, but also the bottom-up artificial intelligence, the ultimate AI, and even the very future of mankind!

Though he has yet to awaken, only one man holds the fate of this world: the Black Swordsman.

STAFF

Written by Reki Kawahara (Dengeki Bunko)

Original Illustration / Character Design Concept: abec

Director: Manabu Ono

Assistant Director: Takashi Sakuma

Character Design: Shingo Adachi, Go Suzuki, Tomoya Nishiguchi, Yumiko Yamamoto, Kento Toya

Chief Animation Directors: Go Suzuki, Yumiko Yamamoto, Kento Toya

Prop Design: Asami Hayakawa, Kiminori Ito

Monster Design: Toshiya Kouno

Action Scene Animation Directors: Yoshihiro Kanno, Hirokatsu Maruyama

Art Directors: Yukako Ogawa, Keito Watanabe

Art Setting: Kenichi Morioka, Yuho Taniuchi

Color Setting: Naomi Nakano

Directors of Photography: Kentaro Waki, Kenta Hayashi, Shota Kodera

Motion Graphics Designer: Hiromu Oshiro

CG Directors: Ryuta Undo, Kengo Oda

Editing: Yuji Kondo

Sound Director: Yoshikazu Iwanami

Effects: Yasumasa Koyama

Sound Production: sonilude

Music: Yuki Kajiura

Produced by EGG FIRM, Straight Edge

Animation Production: A-1 Pictures

Production Committee: SAO-A Committee

English Voice Director / ADR Script Writer: Alex von David

  CAST (Japanese / English)

Kirito (Kazuto Kirigaya): Yoshitsugu Matsuoka / Bryce Papenbrook

Asuna (Asuna Yuuki): Haruka Tomatsu / Cherami Leigh

Alice: Ai Kayano / Kayli Mills

Lisbeth: Ayahi Takagaki / Sarah Anne Williams

Silica: Rina Hidaka / Christine Marie Cabanos

Klein: Hiroaki Hirata / Kirk Thornton

Agil: Hiroki Yasumoto / Patrick Seitz

Sinon: Miyuki Sawashiro / Michelle Ruff

Selka: Kaori Maeda / Jackie Lastra

Ronie Arabel: Reina Kondo / Deneen Melody

Tiese Schtrinen: Kaori Ishihara / Kimberly Woods

Rinko Kojiro: Sanae Kobayashi / Jennifer Losi

Seijirou Kikuoka: Toshiyuki Morikawa / Matt Mercer

Deusolbert Synthesis Seven: Hikaru Hanada / Armen Taylor

Fanatio Synthesis Two: Hitomi Nabatame / Laila Berzins

Bercouli Synthesis One: Junichi Suwabe / Imari Williams

Leafa (Suguha Kirigaya): Ayana Taketatsu / Cassandra Lee Morris

Yui: Kanae Ito / Stephanie Sheh

Takeru Higa: Kenji Nojima / Brian Beacock

Golgorosso Balto: Ryo Sugisaki / Mick Lauer

Sheyta Synthesis Twelve: Lynn / Justine Huxley

Renly Synthesis Twenty-Seven: Mutsumi Tamura / Morgan Berry

Linel Synthesis Twenty-Eight: Hina Kino / Brianna Knickerbocker

Fizel Synthesis Twenty-Nine: Konomi Kohara / Michelle Marie

Eldrie Synthesis Thirty-One: Takeaki Masuyama / Ethan Murray

Gabriel Miller / Dark God Vecta: Akira Ishida / Greg Chun

Vassago Casals: Tsuyoshi Koyama / Xander Mobus

Critter: Isshin Chiba / Jon Allen

Iskahn: Taku Yashiro / Khoi Dao

Dee Eye Ell: Yuhko Kaida / Kari Wahlgren

Lilpilin: Junya Enoki / Aleks Le

About Aniplex of America Inc.

Aniplex of America, Inc. (Santa Monica, California) is a subsidiary of Aniplex, Inc. (headquartered in Tokyo, Japan), a division of Sony Music Entertainment (Japan), Inc., and a leading provider of anime content and music production and distribution in Japan. The company’s ever-growing lineup of shows includes: Sword Art Online, FULLMETAL ALCHEMIST: BROTHERHOOD, Fate/stay night [Unlimited Blade Works], Fate/Zero, KILL la KILL, Gurren Lagann, Monogatari series, anohana -The Flower We Saw That Day-, Cells at Work!, The Promised Neverland, Demon Slayer: Kimetsu No Yaiba, The Millionaire Detective – Balance: UNLIMITED and many more. In 2017, the company released the English version of the popular mobile game, Fate/Grand Order.

[ladyyomiart]

Here's a Step by Step compilation of the sketch (except for old Yumiko's because I forgot to save it, lol! 😂), lineart, and BG-free coloring stages of the Toyhouse portraits for my Hakuouki OCs that I've been posting recently!

[demifiendrsa]

Pretty Guardian Sailor Moon Cosmos the Movie - Sailor Starlights/Three Lights PV

Japanese theatrical dates: 

Part 1 - June 9, 2023

Part 2 - June 30, 2023 

The two-part film serves as a “fifth season” for Sailor Moon Crystal and a direct continuation of Sailor Moon Eternal that will cover the “Stars” arc, the final arc of Naoko Takeuchi’s original manga.

Cast additions

Marina Inoue as Seiya Kō/Sailor Star Fighter

Saori Hayami as Taiki Kō/Sailor Star Maker

Ayane Sakura as Yaten Kō/Sailor Star Healer

Previously announced cast members

Kotono Mitsuishi as Usagi Tsukino / Sailor Moon

Hisako Kanemoto as Ami Mizuno / Sailor Mercury

Rina Satou as Rei Hino / Sailor Mars

Ami Koshimizu as Makoto Kino / Sailor Jupiter

Shizuka Itō as Minako Aino / Sailor Venus

Misato Fukuen as Chibi-Usa / Sailor Chibi Moon

Ai Maeda as Setsuna Meiou / Sailor Pluto

Sayaka Ōhara as Michiru Kaiou / Sailor Neptune

Junko Minagawa as Haruka Tenou / Sailor Uranus

Yukiyo Fujii as Hotaru Tomoe / Sailor Saturn

Staff

Director: Tomoya Takahashi

Script: Kazuyuki Fudeyasu

Character Design: Kazuko Tadano

Music: Yasuharu Takanashi

Art Director: Yumiko Soraga

Animation Production: Toei Animation, Studio Deen

[hitsujikobo]

Art Yumiko Higuchi  p Shinsaku Kato  s Kaori Maeda

[steenpaal]

2015 LPGA of Japan Tour - Wikipedia

The 2015 LPGA of Japan Tour is the 48th season of the LPGA of Japan Tour, the professional golf tour for women operated by the Ladies Professional Golfers' Association of Japan. The 2015 schedule includes 37 official events worth ¥3.4 billion.

Schedule

The number in parentheses after winners' names show the player's total number wins in official money individual events on the LPGA of Japan Tour, including that event. All tournaments are played in Japan.

Dates Tournament Location Prize fund (¥) Winner Mar 6–8 Daikin Orchid Ladies Golf Tournament Okinawa 100,000,000

Teresa Lu (5) Mar 13–15 Yokohama Tire Golf Tournament PRGR Ladies Cup Kōchi 80,000,000

Lee Ji-hee (18) Mar 20–22 T-Point Ladies Golf Tournament Saga 70,000,000

Akane Iijima (7) Mar 27–29 AXA Ladies Golf Tournament in Miyazaki Miyazaki 80,000,000

Ritsuko Ryu (3) Apr 2–5 Yamaha Ladies Open Katsuragi Shizuoka 100,000,000

Ayaka Watanabe (2) Apr 10–12 Studio Alice Women's Open Hyogo 60,000,000

Misuzu Narita (6) Apr 17–19 KKT Cup Vantelin Ladies Open Kumamoto 100,000,000

Erika Kikuchi (1) Apr 24–26 Fujisankei Ladies Classic Shizuoka 80,000,000

Hikari Fujita (1) May 1–3 Cyber Agent Ladies Golf Tournament Chiba 70,000,000

Jiyai Shin (10) May 7–10 World Ladies Championship Salonpas Cup Ibaraki 120,000,000

Chun In-gee (1) May 15–17 Hoken no Madoguchi Ladies Fukuoka 120,000,000

Lee Bo-mee (9) May 22–24 Chukyo TV Bridgestone Ladies Open Aichi 70,000,000

Yumiko Yoshida (5) May 29–31 Resort Trust Ladies Yamanashi 80,000,000

Teresa Lu (6) Jun 5–7 Yonex Ladies Golf Tournament Niigata 60,000,000

Shiho Oyama (16) Jun 11–14 Suntory Ladies Open Golf Tournament Hyogo 100,000,000

Misuzu Narita (7) Jun 19–21 Nichirei Ladies Chiba 80,000,000

Jiyai Shin (11) Jun 25–28 Earth Mondahmin Cup Chiba 140,000,000

Lee Bo-mee (10) Jul 17–19 Samantha Thavasa Girls Collection Ladies Tournament Ibaraki 60,000,000

Yoko Maeda (2) Jul 24–26 Century 21 Ladies Golf Tournament Shizuoka 60,000,000

Ahn Sun-ju (19) Jul 31 – Aug 2 Daito Kentaku Eheyanet Ladies Yamanashi 80,000,000

Erina Hara (2) Aug 7–9 Meiji Cup Hokkaido 90,000,000

Yukari Nishiyama (1) Aug 14–16 NEC Karuizawa 72 Golf Tournament Nagano 80,000,000

Teresa Lu (7) Aug 21–23 CAT Ladies Kanagawa 60,000,000

Mayu Hattori (5) Aug 28–30 Nitori Ladies Golf Tournament Hokkaido 80,000,000

Lee Bo-mee (11) Sep 4–6 Golf 5 Ladies Professional Golf Tournament Gifu 60,000,000

Lee Bo-mee (12) Sep 10–13 Japan LPGA Championship Konica Minolta Cup Nagasaki 140,000,000

Teresa Lu (8) Sep 18–20 Munsingwear Ladies Tokai Classic Aichi 80,000,000

Kim Ha-neul (1) Sep 25–27 Miyagi TV Cup Dunlop Women's Open Golf Tournament Miyagi 70,000,000

Junko Omote (4) Oct 1–4 Japan Women's Open Golf Championship Ishikawa 140,000,000

Chun In-gee (2) Oct 9–11 Stanley Ladies Golf Tournament Shizuoka 90,000,000

Lee Bo-mee (13) Oct 16–18 Fujitsu Ladies Chiba 80,000,000

Teresa Lu (9) Oct 22–25 Nobuta Group Masters GC Ladies Hyogo 140,000,000

Lee Ji-hee (19) Oct 30 – Nov 1 Hisako Higuchi – Ponta Ladies Saitama 70,000,000

Ayaka Watanabe (3) Nov 6–8 Toto Japan Classic Mie US$1,500,000

Ahn Sun-ju (20) Nov 13–15 Ito En Ladies Golf Tournament Chiba 100,000,000

Lee Bo-mee (14) Nov 19–22 Daio Paper Elleair Ladies Open Fukushima 100,000,000

Lee Bo-mee (15) Nov 26–29 Japan LPGA Tour Championship Ricoh Cup Miyazaki 100,000,000

Jiyai Shin (12)

Events in bold are majors.

The Toto Japan Classic is co-sanctioned with the LPGA Tour.

External links

[shoumandee]

so i saw this idea somewhere and decided to make a new oc

introducing : Okada Shimamoto!

the idea was that someone with a cloud quirk attends U.A's Hero course and mayb gives Shouta som flashbacks of Oboro lolol

they non binary btw

i even made Oboro and Okada look similar (plus their names lel)

oh, and i gave them the same quirk as him, with slight difference ofc

anyways, new 1A hero course child

and with Asato and Maeda- they can probably be the second gen of the rooftop squad!

[bnha-oneuniverseau]

"I can see you- don't ask why though, it's complicated- anyways. Welcome to this blog! Yes, I know this whole blog thing but don't worry about it. I'm the Artist Hero AKA Sketch or Michi Mariko and I'll be the most active one around!~ currently, the Hero course students' asks are open and that includes Maeda, Yumiko, Shimamoto, Adachi, and Hoshi so feel free to ask them! The others that are in this blog aren't available yet but don't worry, they're gonna take turns-"

"Oh crap- I'm rambling- haha sorry for filling up your dashboard if I even did that- anyways, feel free to send asks to us! All of us!"

~ Sketch